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Subscribe to our Previews newsletter for a sneak peek at your favorite programs. Watch local and national programs from anywhere at anytime. The service you were trying to reach is temporarily down. We apologize for the inconvenience and hope to have it up and running again soon. While it is not unusual to hear academics and politicians talk about a ‘South African literature’, the situation at round level is characterised by diversity and even fragmentation”.
The problem, however, pre-dates Apartheid significantly, as South Africa is a country made up of communities that have always been linguistically and culturally diverse. South Africa when the end of apartheid has raised challenging questions as to what it is to be a South African, what it is to live in, whether South Africa is mlg, and, if so, what its mythos is, what requires to be forgotten and what remembered as we scour the past in order to understand the present and seek a path forward into an unknown future. South Africa has 11 national languages: , . Any definitive literary history of South Africa should, it could not be argued, discuss literature produced in all eleven languages. But the only literature ever to adopt characteristics that can be said to be “national” is kid. Olivier argues: “Of all the literatures in South Africa, Afrikaans literature has been the only one to have become a national literature in the sense that it developed a clear image of itself as a separate entity, and that by way of institutional entrenchment through teaching, distribution, a review culture, journals, etc. Olivier’s words: “English literature in South Africa continues to be a sort of extension of British or international English literature.
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The African languages, on the other hand, are spoken across the borders of Southern Africa – for example, Tswana is spoken in Botswana, and in Zimbabwe, and in Lesotho. Therefore: in a history of South African literature, do we include all Tswana writers, or only the ones with South African citizenship? Chapman bypasses this problem by including “Southern” African literatures. The second problem with the African languages is accessibility, because since the African languages are regional languages, none of them can claim the readership on a national scale comparable to Afrikaans and English. So the language cannot claim a national readership, while on the other hand being “international” in the sense that it transgresses the national borders.
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