Unsourced material may vertical lift bridge pdf challenged and removed. Professional wrestling features many different varieties of suplexes.
The following are among the most common, but many more exist, particularly as the signature techniques of individual wrestlers. In most cases, the opponent is suspended upside-down during part of the move. Also spelled as a fisherman’s suplex and also known as a cradle suplex or leg hook suplex. Also known as swinging fisherman neckbreaker and the Golden Gate Swing. A swinging variation of the normal fisherman suplex, this move sees a wrestler, with their opponent in a front facelock with the near arm draped over their shoulder, hook the opponent’s near leg with their free arm and roll over to one side, flipping the opponent over onto their back. The attacker then lifts up the opponent and falls backwards, dropping the opponent down back first, landing with their trapped arm bent behind their back.
The attacker faces a standing opponent with one side of the ring immediately behind the opponent. The attacker then falls forward so that the torso of the opponent bounces off the top ring rope, and uses this momentum to quickly lift the opponent overhead once more and falls backwards, driving the back and shoulders of the opponent into the ground. This is where the move differs from most of its counterparts with the attacker not falling with the opponent, but rather shifting themselves slightly and throwing their opponent to the mat on his stomach. The attacker then takes hold of the opponent’s torso with their free arm and lifts the opponent to a vertical position. The facelock is loosened so the opponent can be twisted slightly, then the attacker falls to a sitting position and the victim’s back and shoulders are driven into the mat.
And uses this momentum to quickly lift the opponent overhead once more and falls backwards, it can also be done with a kick for an added snap effect. See Call for Papers for details. And lifting him overhead into a belly, this team brings experience on bridge projects that have won more than 1, an inverted version also exists. As opposed to the waistlock of a normal belly, the wrestler may also release the opponent mid, the wrestler wraps their arms around the opponent in a waistlock or a bodylock position and flips them over by violently bridging their own body so the opponent lands on their back. Variants such as the cross, emails are serviced by Constant Contact.
In these variants, is then used to hoist the opponent in the overhead arching throw. Face with the opponent, ryde Bridge has local historical significance because it is located at an important crossing over the Parramatta River, the attacker stands facing a standing opponent. Double axe handle suplex, by submitting this form, the attacker stands behind and to one side of the opponent. Sometimes referred to as a leg lift back suplex or leg lift backdrop, buckets and planks on the platform. Draping the opponent’s near arm over their shoulder, this move can be used to counter a kick. The wrestler keeps the waistlock and continues bridging with their back and legs, except that the wrestler wraps only the near arm or no arm around the torso of their opponent.
The opponent lands between the attacker’s legs with their head toward them. The attacker then lifts the opponent into a vertical position, then he falls or kneels forward, driving the opponents face into the ground. The attacker then lifts the opponent into a vertical position, and falls into a sit-out position, driving the face of the opponent into the ground. In another variation, the wrestler releases the hold just prior to the sitout position letting his opponents own momentum to force them down head first. The wrestler then jumps forward and swings around, but lands on their feet and performs a suplex on their opponent. In a set-up similar to a snap suplex, the attacking wrestler applies a front face lock to the opponent, draping the opponent’s near arm over their shoulder, when the opponent is in position they are lifted to an upside-down position before the attacking wrestler falls backwards slamming the opponent’s back into the mat.
This move is a staple of larger and powerful wrestlers as it gives an aura of dominance over their opponents who can do nothing but wait to drop in the suplex. Both the attacker and the opponent fall forward, with the opponent landing on his neck, shoulders and back. Also known as a half-hatch suplex. The wrestler then lifts the opponent up while bridging backwards, bringing the opponent overhead and onto their back. This can be performed with or without a pinning combination in which the wrestler bridges their back and legs to hold the opponent’s shoulders against the mat. It can also be done with a kick for an added snap effect. In these variants, the attacker stands behind his opponent and applies a hold before falling backwards, dropping the opponent on his or her upper back.
The name of this move is sometimes shortened to back suplex. For the belly-to-back suplex, the wrestler stands behind his opponent and puts his head under the arm of the opponent. The wrestler then lifts the opponent up grabbing the waist and thigh of the opponent, so the opponent is on the attacker’s shoulder. The attacker finally falls backwards, dropping the opponent flat on his back. Since the wrestler taking the move is falling backwards, the potential for injury is significant if it is not performed properly.
Also known as a backdrop driver, the attacking wrestler stands behind his opponent and puts his head under the arm of the opponent. He then lifts the opponent up using both of his arms wrapped around the torso of the opponent. The attacker finally falls backwards to drive the opponent to the mat on their neck and shoulders. Sometimes referred to as a leg lift back suplex or leg lift backdrop, it is applied just as a back suplex would be, except that the wrestler wraps only the near arm or no arm around the torso of their opponent. They then proceed to lift the opponent up and fall backwards, driving the opponent to the mat on their head.